* taken from FB @officialcult


Once back in England, after the worldwide Love-tour, the band booked themselves into the Manor Studios in Oxfordshire, with producer Steve Brown (who had produced Love), and recorded over a dozen new songs. The band were unhappy with the sound of their new album, titled Peace, and they decided to go to New York so that producer Rick Rubin could remix the first single, "Love Removal Machine".

Rubin agreed to work with the band, but only if they rerecorded the song. Rubin eventually talked them into rerecording the entire album. The band's record company, Beggars Banquet, was displeased with this, as two months and £250,000 had already been spent on the record. However, after hearing the initial New York recording, Beggars Banquet agreed to proceed.

The first single, "Love Removal Machine", was released in February 1987, and the new version of the album appeared in April that same year, now renamed as Electric, reaching No. 4 and eventually outselling Love. The band toured with Kid Chaos (also known as "Haggis" and "The Kid") on bass, with Stewart on rhythm guitar. Two more singles, "Lil Devil" and "Wildflower", were released during 1987. A few tracks from the original Peace album appeared on the single versions of "Love Removal Machine", and "Lil Devil". The full Peace album would not be released until 2000, when it was included as Disc 3 of the Rare Cult box set.

In the US, The Cult, now consisting of Astbury, Duffy, Stewart, Warner and Kid Chaos, were supported by the then unknown Guns N' Roses. The band also appeared at Roskilde Festival in Denmark in June 1987. When the world tour wound through Australia, the band wrecked £30,000 worth of equipment, and as a result they could not tour Japan, as no company would rent them new equipment. At the end of the tour the Electric album had been certified Gold in the UK, and sold roughly 3 million copies worldwide, but the band were barely speaking to each other by then. Haggis left the band at the end of the Electric tour to form The Four Horsemen for Rubin's Def American label. Astbury and Duffy fired Warner and their management team Grant/Edwards, and moved to Los Angeles with original bassist Stewart. Warner sued the band several times for his firing, as well as for what he felt were unpaid royalties due to him for his performance on the Electric album, resulting in lengthy court battles. The Cult signed a new management deal and wrote 21 new songs for their next record.

From Wikipedia.